PhD project profiles
Read about the International Institute of Modern Letters’ current PhD candidates and their projects.
Introduction
The International Institute of Modern Letters (IIML) launched New Zealand's first PhD creative writing programme in 2008.
The writers who have joined the programme are working on a wide range of topics, and their supervisors come from an equally wide range of academic departments. While primary supervisors are usually staff from the IIML, co/secondary supervisors have come from Schools as diverse as Architecture, Art History, Gender and Women's Studies, Linguistics and Applied Languages, Te Kawa a Māui / Māori Studies, Nursing, Midwifery and Health, the English and Theatre programmes of the School of English, Film, Theatre, Media and Communication, and Art History, and Va'aomanu Pasifika / Pacific Studies.
Regular group meetings provide a forum for PhD students (and their supervisors) to discuss their work in progress and take turns to present aspects of it in an informal and supportive atmosphere.
The descriptions below reflect the students' thinking at the time they contributed. However, we attempt to update these from time to time, to reflect the progress of each project.
You can read about previous students' projects on our PhD graduates page. You can also read about some of our MA graduates on our MA graduate showcase page.
Jane Arthur
Jane is writing a novel for adults. Her research will look at voice and tone, and how something can be both sad and funny in the same moment in fiction.
Madison Hamill
Madison is interested in neurodivergence and gender and is writing a novel about missing persons and a futuristic city facing a mysterious infestation.
Katrina Carrasco
Katrina is writing a novel and exploring how queer writers might use fiction to repair gaps, erasures, and fractures in the LGBTQIA+ historical record.
Morgan Bach
Morgan is examining the book length lyric essay and its utility for situating personal experience in the broader sociohistorical context.
Hannah Mettner
Hannah is examining the intersection of queerness and fabulism in short fiction.
Cassandra Tse
Cassandra is writing a portfolio of new works for Immersive theatre performance that aim to push narrative immersion to the forefront of the experience.
Kōtuku Titihuia Nuttall
Kōtuku is interested in developing a methodology to support Indigenous authors emotionally, intellectually, and spiritually while they work.
Dan Keane
Dan is writing a series of nonfiction essays about expat life that explore our sense of place in online spaces.
Sarah Young
Sarah is investigating the poethics of the witness and the narration of traumatic affect.
Marama Salsano
Marama contemplates multigenre as a Māori and Indigenous creative approach.
Jennifer Tomscha
Jennifer is writing a novel examining the effects of government and corporate surveillance technologies on interpersonal relationships.
Johanna Knox
Johanna will explore contemporary practice-based expressions of Māoritanga, focusing on dynamics of connection, disconnection, reconnection and hybridity.
Samantha Murphy
Samantha is writing a collection of science fiction stories, and a research component that focuses on the themes and stylistics of the works of James Tiptree Jr
Dylan Horrocks
Dylan's thesis explores the narrative innovations of role-playing games and improvised serialisation through a mixture of comics, essays, and game design.
Anahera Gildea (Ngāti Tukorehe)
Anahera is writing hybrid critical/creative essays that interrogate rhetorical sovereignty at the intersection between colonisation and Māori literature.