IAN WEDDE was born in
Blenheim in 1946. He spent part of his childhood in East Pakistan
(now Bangladesh) and England before returning to New Zealand at age
15. One of the most admired poets of his generation, he has also written
novels, short stories and art criticism. In the mid-1980s he co-edited
the ground-breaking anthology Penguin Book of New Zealand Verse
with Harvey McQueen. Since 1994, he has been curator of art and visual
culture at the Museum of New Zealand Te Papa Tongarewa. The Commonplace
Odes (2001) marks his return to poetry after a hiatus of nearly
a decade.
Wedde comments: Death
is one of the themes in The Commonplace Odes which winds right
through the book and is the main business of the final poem, Carmen
Saeculare. It is there (the theme) in formal ways, as a kind
of address the gravity of the funerary ode, sombre, and respectful
of grief; and it is there (the theme of death) as a flipside of anarchic
appetite, disrespectful of ordinariness which is not lived as though
this life were your last. To Death has borrowed a number
of personifications of death from the odes of Horace (Chloe, Quintillius,
Lydia, Archytas, etc) and has threaded them on an idea carried over
from the previous ode (mine not Horaces) which derives from
my own long-dead fathers lifelong habit of taking photographs.
Because he took them, he was never in them. We dont see death,
because he takes the pictures. Death pictures something, he frames
it up, its going to die. So get a life.