GREGORY OBRIEN
was born in Matamata in 1961. After training as a journalist in Auckland,
he worked as a newspaper reporter in Northland before returning to
study Art History and English at Auckland University. A prolific poet,
he also written a novel, Diesel Mystic (1989) and many articles
about art. He works at the City Gallery in Wellington and also convenes
Victorias Poetry Workshop, but is currently in France with his
wife Jenny Bornholdt and their two sons. His most recent book, After
Bathing at Baxters, is a collection of his best essays.
OBrien comments:
My mothers family comes from the Taranaki township of
Opunake, not far from Parihaka Pa, which was an important site in
19th Century New Zealand history. The Parihaka leaders, Te Whiti-o-Rongomai
and Tohu Kakahi, led a campaign of passive resistance against the
colonial government from the1860s until the 1890s. Events at Parihaka
climaxed in 1881 when the Crown invaded the pa (or village), dispersed
the communities gathered there and systematically destroyed the buildings
and cultivations.
Taranaki is a province
well-known for its electrical storms; the township of Parihaka (under
Te Whiti) was famous for its advanced electricity supply. The poem
is a kind of choreography, bringing together various elements, making
connections as well as reconciling opposites (personal history and
official history are brought into close proximity, as are Maori and
Pakeha cultures, the past and present . . .) The form of the poem
owes something to Nerudas Elemental Odes and the late sonnets
of James K. Baxter.